I almost forgot it was Hooray for Tuesday, perhaps due to the holiday. Okay, so here's two more by Marbles, to add to your collection of early and rare Marbles recordings after yesterday's Liner Notes: Marbles feature (which in itself contains rare Marbles tracks, so go read it if you haven't already). Like those tracks, these are very, very psychedelic, so hold onto your mind lest you blow it too much.
Please direct your attention to the posters and promotional art section of Optical Atlas, which now features the first (and only?) Elephant 6 catalog, stuffed into singles and sent along to labels and customers in the summer of 1993. Just think, if only it were thirteen years earlier, you could buy cassettes by Neutral Milk Hotel, Synthetic Flying Machine, The Always Red Society, The Apples, Marbles, Sunshine Fix, Von Hemmling, and Vince Mole and His Calcium Orchestra for only $4 apiece! On the flip-side is featured the original Elephant 6 manifesto, and I think it's a fine one. Thanks very much to Robert Schneider for sending these our way. According to Robert, he provided the text and Will Cullen Hart is responsible for the artwork. You can check it out here.
The New Sound of Numbers is the new band by Circulatory System's Hannah Jones (our interview with Hannah about the project is here). Quite a few of us got excited when we first heard her new band's songs on their MySpace page, and now, if you live in Athens, you get a chance to see her live. This Friday at the 40 Watt the band is scheduled to play with the Summer Hymns (another band you should really care about, and who also have some new music to be released later this year). The New Sound of Numbers also have dates scheduled for June and July, and will play at the HHBTM PopFest in Athens.
Calvin, Don't Jump! is the solo project of J. Kirk Pleasant, former Athens resident who has appeared on records by Olivia Tremor Control, Gerbils, Fablefactory, and Pipes You See, Pipes You Don't. He's released three albums to date, and his most recent is the self-released Conscious of Conscience (order info is here), a review of which should be appearing at this site a little later this week. Why should you be interested? Well, here's an MP3, and you can judge for yourself. It's one of my favorite CDJ tracks, the B-side to his "Rusty Gondola" single on Happy Happy Birthday to Me Records, which features Scott Spillane and Jeremy Barnes of Neutral Milk Hotel. Thanks to Kirk for letting me post it (there are still copies of this single for sale directly from Mr. Pleasant.)
I've put up a small bundle of artwork and wallpaper at Optical Atlas.com; let me know what you think. The artwork section includes high-res images of the posters included in the original Olivia Tremor Control and Music Tapes singles. The wallpaper section features, for the moment, formatted images of Neutral Milk Hotel, Music Tapes, Olivia Tremor Control, and Elf Power artwork, plus a Late BP Helium photo from this weekend's feature, and the Elephant 6 logo, all ready for your desktop so you can confuse your co-workers and/or significant other.
In anticipation of their upcoming brand new albums, The Ladybug Transistor and Great Lakes will be departing their Brooklyn home and venturing across Norway, Sweden, and England this summer. They've just confirmed the dates, and you can find them below. Note that several of the dates feature just Gary Olson, lead singer of the Ladybugs, performing solo. Olson writes, "We may add another one or two to that in the next couple of weeks."
The Happy Happy Birthday to Me Records PopFest, that annual romparama featuring the best acts of Athens GA and beyond (August 9-12), today announced its headliners for each night of the Popfest. We already knew that The Apples in Stereo would be playing, but it's a surprise to hear about these others.
Hooray for Tuesday's MP3 comes a couple hours early tonight (well, in my time zone anyway), and it's a doozy: the entire out-of-print Secret Square album from 1995 on the Elephant 6 label.
Filmmaker Neil Carnahan has put up on his website three live Dressy Bessy performances from April 2004 at the Casbah in San Diego. The band performs "Just One More," "The Things That You Say That You Do" (my personal fave DB song), and "Better Luck." You need Quicktime to watch the videos. Click here for the videos, and thanks go out to Neil for letting us know.
The Late B.P. Helium, aka B.P. Helium from Of Montreal, aka Bryan Poole, announced at the Townhall that he will be hopping around the U.S. and Canada this summer, and although many of the venues are TBA, you'll want to be tracking this if you're in the mood for some solid summer evening rock and roll. If you're in Lexington (and you're lucky if you are), you won't want to miss his bill with The American Revolution, that band with The Apples in Stereo's Robert Schneider that we profiled here. He'll also be playing with jackandginger and The Impossible Shapes.
Dressy Bessy has recently completed a European tour, and they're coming back to the states for more and more shows. If you live in Denver, well, you're probably sick of them by now, but they're playing tomorrow night at Hi Dive. They also have dates announced for a summer tour through the Midwest and East Coast; check it out.
I know they're not that rare, but this week's MP3s highlight the unique 1999 compilation Pop Romantique from Emperor Norton Records. The idea here is that modern acts such as Air and The Magnetic Fields would cover French pop tunes by Serge Gainsbourg and the like. When The Apples in Stereo and The Ladybug Transistor were asked to participate, each took a creative approach. The Ladybugs joined their idol, Kevin Ayers, for an Ayers original, "Puis-je?" (Ayers croons, the Ladybugs back him up.) Robert Schneider set his own challenge: to write a new Apples song in French. The result was "Avril en Mai," which somehow manages to sound just as infectious as anything the Apples have written, even if the pronunciation may not be to a countryman's caliber.
The Instruments is the project of Heather McIntosh, cellist for Circulatory System, who's also performed with the likes of Great Lakes, Pipes You See, Pipes You Don't, Elf Power, and Japancakes; she's also one of the minds behind the recent experimental compilation AUX (as producer and contributor), and has exhibited her own electronic experimental works. But the first time I heard The Instruments--on their first album, A Billion Phonographs (2002)--the nature of the music really surprised me. The Instruments doesn't sound like any other Elephant 6 band. Heather has a soft, low voice much like Suzanne Vega's, and the music has the same delicate quality--piano, a carefully, exactly plucked guitar, and the moaning of the cello. But she's not without her risky side. "When the Stars Shine," in which Jeff Mangum is distinctively heard harmonizing the title with Heather, could almost be a moment from Major Organ and the Adding Machine, except that it's nowhere near as frantic; The Instruments are dreamy, to be sure, but they're grounded in traditional music forms.
Elf Power's on tour supporting their new album Back to the Web, and they're selling a tour-only CD (from Orange Twin Records), Treasures from the Trash Heap, which collects demos, live tracks, tracks from various compilations, and unreleased songs spanning 1994-2004.
Soon we all will be learning The New Sound of Numbers.
Hannah Jones is a percussionist for Circulatory System and The Instruments, as well as an artist (she provided the "circuits" logo on the Cloud Recordings homepage) who sells her work at Orange Twin. In the past Cloud has distributed two self-released CD-Rs from Hannah's project Lorkakar, an experimental work recorded on four-track and utilizing, as the website says, "layer upon layer of lyricless voices, bells, and electronics." This year Hannah is set to release the debut album from another solo project, The New Sound of Numbers, on Cloud Records. The band has a MySpace page and an official homepage, and although the latter is bare for the moment, Hannah has just uploaded some rough mixes of new songs at the MySpace site.
"The New Sound of Numbers is a project that has been in progress for a couple of years," Hannah writes. "It's my first album of 'songs' rather than soundscapes. I had dabbled in writing songs before, but hadn't really gotten into it until I got my 12-string electric guitar. Something about the way the strings felt when I played them felt right to me in a way that a 6-string guitar hadn't. I think it felt more substantial, and also there is a certain ring to it that appeals to me. So after that purchase, things really got underway."
When hearing the new songs she's placed on the MySpace page, I can sense an affinity with Lorkakar; certainly they're layered in the complex, experimental fashion that calls to mind Lorkakar's "lost signals" CD-Rs and Circulatory System. "There are similarities to Lorkakar in the kinds of sounds that are used in this record, but The New Sound of Numbers is definitely much less abstract, with more straightforward songs--it's what most people would consider to be a band. Lorkakar has more of a solitary feel--this new project has more of a 'get up,' danceable feel to it. It expresses a sense of urgency, and some tension, but ultimately a feeling of hope and a feeling that 'good things are coming.' There is a big focus on the lyrics."
In a sense, you can tell the songs were written by a drummer; they have a pounding, driving beat that dominates the vocals. "I wrote all of the songs on either drumset or guitar," Hannah says. "Some of the songs were inspired by drum tracks I recorded, while others were written while sitting and playing guitar."
One would expect, given Hannah's circle of friends, that some familiar names will turn up on the band's upcoming album, Liberty Seeds. "The whole core of the album I recorded on my own (meaning drums, guitar, percussion, vocals), and this was mainly because i was too shy to invite other people in to the project at that time. Within the past year, Heather McIntosh [The Instruments] has added bass and vocals, John Fernandes [Circulatory System, Elf Power] has added violin and clarinet, Kathryn Refi and Will Hart [Circulatory System] have added vocals, and Bill Doss [Sunshine Fix] added bass on a track. The album was recorded on 4-track cassette, 8-track digital, and through the computer program Nuendo. The only microphone used was a shure sm57. The current live line-up is Kathryn Refi on drums, Heather McIntosh on bass, John Fernandes on violin and clarinet, Will Hart on guitar and percussion, me on 12-string electric."
This should be really interesting. Head on over to the band's MySpace page to listen to the new songs, and if you like what you hear, you can anticpate Liberty Seeds appearing in late August/early September 2006 from Cloud Recordings. Hannah writes that the album is being mastered next week and pressed shortly thereafter.
Thanks to Chris for bringing TNSON to my attention, and to Hannah for participating.
Kevin at the Townhall has posted that several autographed Olivia Tremor Control records are now up for bidding in a silent auction held at the Jackhammer in Chicago, with the deadline of the evening of May 12. That's when a benefit is being held for Cactus Canyon, "the world's largest gay campground," which has apparently been suffering from harassment and threats of violence; the owners of the camp are seeking funds to take legal action to deal with the harassment. In addition to the Olivia Tremor Control LPs, signed sheet music from R.E.M.'s "Everybody Hurts" and lots of additional art is up for auction, and a raffle for additional items will be held at the benefit. At the moment it's limited to those who can physically drop by the Jackhammer in Chicago, but Kevin is apparently working on a way to accept bids from out-of-towners. Kevin has also suggested at the possibility of some kind of OTC-related DVD (possibly a record of their Chicago concert?) will be awarded to one of the winners, if the price gets high enough.
Two of the three Masters of the Hemisphere reunion shows were played last weekend, and Darren at Bicycle Kick My Worries Away is keeping track of news as well as info on the band members' upcoming projects at his blog.
Because we've been stealing the title of this feature from them for months now, now we're presenting an actual rarity from the band whose Hooray for Tuesday is one of the best pop albums of the 90's. From the period of Cul-de-sacs and Dead Ends comes this track, actually taken from Tell-Tale Signs of Earworm, released by the now-defunct Earworm Records in the U.K.